Chapter by Luís Bastos Machado (CTC) published by Brepols

The chapter “«[…] any unnecessary movement was discouraged»: Bodily Gesture and the Ideology of Artistic Autonomy in Early Twentieth-Century Pianists”, written by Luís Bastos Machado (Research Group for the Study of Music, Critical Theory and Communication; Music and Interpretation Thematic Line), appears in the volume The Body in Musical Performance: Knowledge, Gesture, and Identity, ed. Marcello Mazzetti (Brepols, 2026), ISBN: 978-2-503-62192-0. For further information, click here.