Roberto Oliveira-Ogando (CM) publishes a chapter based on research conducted at CESEM’s Laboratory of Computer Music

“Metodología de Digitalización y Restauración Sonora del fondo Enrique X. Macías: Protocolo Técnico y Resultados” analyses the comprehensive process of digitisation and audio restoration of the collection of magnetic tapes by the composer Enrique X. Macías (Vigo, 1958–1995), carried out at the Laboratory of Computer Music (LIM) of CESEM – Universidade Nova de Lisboa. Roberto Oliveira-Ogando belongs to the Research Group on Contemporary Music.

Click here to read the article.