Cecília Valentim – III Social Aesthetics Colloquium and Museum
The Social Aesthetics Group (CNPq / USP) emerged in 2016 from the convergence of interests in the arts, especially in situations bordering the artistic field. The ideas of “artists of the social” and “arts in the social” involve the object of studies and lead to the proposition of a “social aesthetic”, following the guidelines of... Read More
Call for papers international conference III NEMI Meeting – 9th MUSPRES
The international conference III NEMI Meeting and 9th MUSPRES “Facing the musical premiere in the press: promotion, dissemination, reception and criticism”, jointly organized by the Research Cluster of Music in the Press (CESEM / NOVA FCSH) and the Grupo de Trabajo Música y Prensa (Sociedad Española de Musicologia), will take place on May 27-28, 2021,... Read More
Project with CESEM researchers WON an AWARD in the Young Audience Music Awards (YAMawards) 2020
The Theatrical Music Company was nominated for the Young Audience Music Awards (YAMawards) 2020 won an award in the categorie of Best Participatory Project with the Murmuratorium artistic creation. The YAMawards aim to identify and support productions from around the world that inspire and involve young people and distinguish creativity and innovation from musical productions... Read More
XSOUND software patent registration by CESEM researcher Jonas Runa
XSOUND – software registered with legal deposit with ASSOFT (Portuguese Software Association) Author: João Manuel Marques Carrilho (Jonas Runa) Description: A MoCap system (motion-capture) is the process of digitally recording the movement of objects or people. In this context, the XSENS system presents itself as one of the most advanced tools in MoCap 3D, including... Read More
CESEM’s Researchers in a round table in the XIII Encounters of Historical Musicology: Paula Gomes-Ribeiro, André Malhado and Heloísa Valente
Paula Gomes-Ribeiro, André Malhado and Heloísa Valente formed the round table on Musicology and Cyberculture, which closed the XIII Encounters of Historical Musicology, promoted by the Cultural Center Pro-Music of the Federal University of Juiz de Fora, this year under the theme “Musicology in times of crisis: retrospectives and perspectives ”. The event took place... Read More
Cultural Confluences in the Music of Alfonso X
Project, funded by the Foundation for Science and Technology (POCTI / EAT / 38623/2001), 2005-2008. TEAM: Manuel Pedro Ferreira, Rui Araújo. INSTITUTIONAL PARTNERSHIP: Center for the Study of the Cantigas de Santa Maria, Oxford University. Project assumptions The collection of 419 Cantigas de Santa Maria composed in the court of Alfonso X de Leão and... Read More
Digital Survey of Manuscript Musical Heritage (before 1600)
Project funded by the Foundation for Science and Technology (POCTI / EAT / 46895/2002), 2005-2008. TEAM: Manuel Pedro Ferreira, Diogo Alte Veiga. INSTITUTIONAL PARTNERSHIP: Spanish Religious Music Research Center, Colegio de los Augustines, Santiago de Compostela. Resume Contrary to the majority of European countries, in Portugal an exhaustive survey of the manuscript musical heritage is... Read More
Anthology: Music in Portugal until the Renaissance
Anthology: Music in Portugal until the Renaissance Project financed by the Instituto das Artes (occasional support 2007 / PP07-331), 2007-2008. Researcher: Manuel Pedro Ferreira See the publication
MusicQuery – Research Network, Relational Databases and Digital Archive for Portuguese and European Cult Music
MusicQuery – Research Network, Relational Databases and Digital Archive for Portuguese and European Cult Music [REEQ / 1093 / EAT / 2006]. Team: José Tomás Marques Henriques (IP); Team: Isabel Maria Antunes Pires, Manuel Pedro Ramalho Ferreira, Mário Vieira de Carvalho
The Repertory of occasional music-dramatic works in Portugal and Brazil between 1707 and 1834
Since the arrival of Italian singers in Portugal, hired by John V in 1719, until the death of Peter IV of Portugal, first emperor of Brazil in 1834, an extensive repertory of occasional music-dramatic works was produced destined, on the one hand, to celebrate the birthdates of members of the royal family, and on the... Read More