Piece of researcher Cláudio de Pina (CM) gets selected for the World New Music Days 2025 (International Society for Contemporary Music)
The piece Neurotransmits by Cláudio de Pina (researcher at the Research Group on Contemporary Music) was selected in the individual call for electroacoustic music of the International Society for Contemporary Music (ISCM). It will be presented at the World New Music Days 2025 event from 30th of May to 7th of June. Portugal will host... Read More
Publication of a chapter written by Luzia Aurora Rocha and Nuno Oliveira Prates in a book co-edited by Pablo Sotuyo Blanco (MMP)
The book chapter “Música & Efémero” ou as práticas musicais da família Relvas vistas através da arte do esboço, co-authored by Luzia Aurora Rocha and Nuno Oliveira Prates, has been published. The chapter is part of the book co-edited by Pablo Sotuyo Blanco and Nilton da Silva, with the title Criação, produção, usos e funções da Iconografia Musical, and can be downloaded... Read More
Communications by collaborator Manuel Mendes Madeira (MMP)
The recent activity of Manuel Mendes Madeira, PhD student in Music Sciences at NOVA FCSH and collaborator of the Modern Period Music Group, includes the paper ‘The insolite in Opera: Perplexity or laughter through Rafael Bordalo Pinheiro’s 19th century cartoons’, presented in Vienna last August; and his participation in the International Conference at the University... Read More
Participation of Iskrena Yordanova (MMP) in the ‘Divino Pergolesi’ concert in Madrid
Iskrena Yordanova, a researcher at the Music in the Modern Period Group, will be the concertmaster of the Divino Sospiro baroque orchestra in the ‘Divino Pergolesi’ concert. The concert will take place on November 9 (7 pm) at the great hall of Auditório Nacional in Madrid under the button of Massimo Mazzeo and the soloists... Read More
New article by Leonardo Feichas (MMP) on methodology in Artistic Research
‘El Ciclo Artístico-Reflexivo de Doble Verificación (CARDC) y el software Music: una herramienta metodológica en el campo de la Investigación Artística y su aplicación’ – this is an article about an ongoing project involving Leonardo Feichas, a CESEM collaborator and professor at the University of Brasilia; Carlos Henrique Costa Ribeiro, a professor at the Technological... Read More
Newsletter I November 2024
The November’s Newsletter is out and it has news you do not want to miss! If you have not yet subscribed to our newsletter, you can do so at this link.
Participation of Sónia Duarte (CTC) in the International Congress ‘Times of the Baroque. The table’s scenography’
Sónia Duarte, from the Research Group for the Study of Music, Critical Theory and Communication, will take part in the International Congress ‘Times of the Baroque. The table’s scenography’ with the paper ‘Music and Dancing at the Table: Sacred and profane iconography, debuxed and painted, in the long Baroque period in Portugal’ (November 16 at... Read More
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2024
PURE | CESEM Workshop
PURE Workshop for CESEM Researchers, led by the NOVA FCSH PURE Team. The format will be hybrid (face-to-face at Colégio Almada Negreiros, Sala SC, or online via Zoom) with recording available. The workshop will last 90 minutes. The first part, lasting 30 minutes, is going to focus on demonstrating the PURE platform. The second part,... Read More
EnIM 24 | CESEM Participation
EnIM 24 | XIII Meeting of Research in Music will occur at the Algarve Regional Conservatory – Maria Campina (Faro), from the 7th to the 9th of November. CESEM will be represented by more than 25 researchers. Andrew Woolley, integrated member of the Early Music Studies Group and Principal Researcher of CESEM, will present codicological... Read More
Participation of Rosana Marreco Brescia (GMPM) in the XI SEdeM Congress
The Spanish Society of Musicology held the XI SEdeM Congress from 23rd to 26th October in Elche (Alicante, Spain), in which a communication by Rosana Marreco Brescia from the Music in the Modern Period Group took part. With the paper Adelina Patti: «trending topic» del mundo operistico decimonónico y su repercusión, Rosana Marreco Brescia addressed opera as a means of providing unthinkable scenarios... Read More