International Meeting of Research in Music, Arts and Design 2024 – Musical Iconography Thematic Line

From June 27th to 29th, the 9th edition of the EIMAD – International Meeting of Research in Music, Arts and Design will take place at IPCB, featuring the participation of several members from the CESEM’s Musical Iconography Thematic Line, with the following papers: – Luísa Correia Castilho, Luzia Aurora Rocha: “Ratinhos”, Musical Iconography and Popular Culture: 19th-Century Faience from the Manuel Cargaleiro Foundation; Luísa Correia Castilho, Cláudia Sousa (with Carlos Santos Luíz and Sónia Duarte); Gilberto Vieira Garcia: Rio de Janeiro’s music scene in the musical iconography of the Portuguese Rafael BordaloPinheiro (1875-1877); Beatriz Silva: Tradition and Symbolism in Revolutionary Peking Opera (1966-1976); Beatriz Silva, Luzia Aurora Rocha: What unveils Musical Iconography, or the impact of Western Record Labels in the East; Luzia Aurora Rocha: Museums, Musical Iconography, and Cultural Intersections: Exploring the Vinyl RecordCollection of the Kwok On Collection; Cláudia Sousa: Weaving a Concerto Grosso: From Alfred Schnittke’s No.1 to Tom Phillips’ Tapestry; André Apolinário Correia: Amália’s Scores – The musical documentary estate of the Amália Rodrigues House Museum; Luzia Aurora Rocha e André Apolinário Correia (with Cristina Galacho, Mathilda Larsson Coutinho, Anna Tsoupra, Ema Pires, SusanaBelchior, Edward Ayres de Abreu, Penka I. Girginova): Exploring SuitNanoMusic Project: an interdisciplinary perspective on “Ratinhos” faience plates (Project SuitNanoMusic from IN2PAST).