André Malhado

André Malhado

Biography:

André Malhado is a musicologist, music producer, and cultural commentator. He is a Ph.D. student in Historical Musicology at the Faculty of Social Sciences and Humanities of the NOVA University of Lisbon and holds an FCT Ph.D. Scholarship (SFRH/BD/145674/2019). In 2019, he earned a master’s with a dissertation on the cyberpunk music label. With a sociomusicological perspective, problematized cyberpunk in digital and audiovisual media between 1982 and 2017. He received the awards of best graduate (2018) and master (2020) student and a Merit Scholarship awarded by Public and Private Higher Education Institutions to students with exceptional performance (2019). His work spans the fields of music sociology, digital and audiovisual cultures, gender, and sexuality. He the coeditor of the books Log in, live on: música e cibercultura na era da Internet das coisas (2018), Convergências Musicais: gosto, identidade e mundo (2022), and author of several national and international articles and chapters. He is a member of SociMus, NEGEM, and the coordinator of CysMus since November 2021, all integrated into the Group of Critical Theory and Communication (GTCC) in the Centre for the Study of the Sociology and Aesthetics of Music. He works as a scientific editor and peer-reviewer, and internship advisor. Organizes colloquia and seminars, presents and reviews documentaries and films, workshops, talks, interviews, scientific outreach, and other activities. He has a Production and Musical Creation Course, composed solo works, did production and sound editing for the theatrical piece Vortice (2019), and music for the photography exhibition 24 Horas Lisboa (2013). He also collaborates with the LGBTI+ project esQrever since 2020.

Publications and other outputs:

[2022] MALHADO, André. “Apocalipse social audiovisual: Os ciborgues nas paisagens sonoras do ciberpunk lusófono.” Journal of Lusophone Studies 7.1 (Spring 2022): 214-233.

[2022] MALHADO, André. “’It’s music, a human thought structure’: music as a technology of cyborgs in Spanish cyberpunk films.” Cuadernos de Investigación Musical, 2022, (15, extraordinario): 105-118.

[2022] GOMES-RIBEIRO, Paula, MALHADO, André, e CHAVES, Zuelma (cords.). Convergências musicais: gosto, identidade e mundo. Vila Nova de Famalicão: Húmus/Cesem.

[2019] GOMES-RIBEIRO, Paula, FREITAS, Joana, DURAND, Júlia, e MALHADO, André (eds.). Log in live on: música e cibercultura na era da internet das coisas. Vila Nova de Famalicão: Húmus/CESEM.