CESEM Researcher’s Publication (forthcoming), Jelena Novak

Einstein on the Beach: Opera beyond Drama Co-edited with John Richardson. Philip Glass and Robert Wilson’s most celebrated collaboration, the landmark opera Einstein on the Beach, had its première at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both...
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Conference by Joana Gama

22nd  November 2017 (wednesday) 17h | Pequeno Auditório – ESML Pianist Joana Gama, a former ESML student, tells us about her journey from leaving school until this moment. A journey in which music meets cinema, theater, dance, cinema, always working closely with the composers.

Absolute debut: The garden (by Tiago Cabrita)

25 NOV 2017 [Saturday] 17h AUDITÓRIO  VIANNA  DA  MOTTA  –  ESML – free admittance – with JOANA ALVES and FRANCISCO HENRIQUES libretto ANTÓNIO CORTEZ staging SÍLVIA MATEUS direction CARLOS MARECOS costumes ANA DUARTE Research project supported by IPL – IPL / 2016 / POCC_ESML Opera Production in a Contemporary Creative Context LISBON SUPERIOR SCHOOL OF...
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Joana Freitas Conference

Conference by researcher Joana Freitas: “It’s storytelling through music”: sobre concertos de música para videojogos e a promessa de uma experiência ‘imersiva’ e ‘colaborativa'” at the 10th Conference on Video Game Sciences and Arts (Video Games17) at Universidade Lusófona. Abstracts and Proceedings – Videojogos 2017 23rd November (Programme) – Videojogos17

Concert and Launch of the book Paluí – Aveiro

  INVITATION – Concert to launch the book Paluí: Journey through sound stories that the Portuguese language tells | Dec 14 @ 4:30 pm It is not clear whether he is a boy, a bird, courage, a star, a city of the future, magic, toes or a giant hand … But he says that he...
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Launch of a new publication by CESEM researcher, Mário Vieira de Carvalho

Mário Vieira de Carvalho revisits the thought and work of Fernando Lopes-Graça (1906-1994) in a set of four essays, which proceed to a critical review of one of the most controversial moments of the “competition” for musical modernity in Portugal. Lopes-Graça’s modernity – verbalized as an aesthetic project and that which is manifested in his...
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