João Pedro d’Alvarenga

jp.alvarenga@fcsh.unl.pt

Category
Membros Integrados EN

CESEM Position: Integrated researcher

Biography:

Current Situation

Coordinator of the “Early Music Studies” Research Group of CESEM, since March 2014; Coordinator of the Thematic Line “Archives, from preventive preservation to digitalisation”, IN2PAST- Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory, since February 2021.

Previous Situation

Executive Secretary of the Board of Directors of CESEM, January 2015-March 2023; Principal Researcher (CEECIND/00195/2017), March 2019-June 2022; Invited Researcher, CESEM, December 2018-April 2019; FCT Investigator (Principal Researcher, IF/00052/2012), 2 September 2013-1 September 2018; Co-General Editor for the Portuguese Journal of Musicology, 2012-15, and Editor, 1996-98; Post-Doctoral Fellow (SFRH/BPD/65876/2009), CESEM, February 1, 2010-September 1, 2013; Assistant Professor, University of Évora, School of Arts, Department of Music, March 17, 2006-June 4, 2011; Coordinator, Unidade de Investigação em Música e Musicologia (Research Unit in Music and Musicology), University of Évora, February 2007-January 2009; Research Fellow, Centro de História da Arte at the University of Évora, July 2000-February 2007; Visiting Professor, Polytechnic Institute of Porto, ESMAE, Early Music Department, October 2005-June 2006; Invited Assistant Professor, University of Évora, Department of Music, November 17, 1997-March 16 2006; Director for the settlement of the National Music Museum in Lisbon, Sociedade Lisboa ’94, 1993-94; Head of the Music Section, National Library of Portugal, March 13, 1991-November 16, 1997.

Publications and other outputs:

[:pt]

Alvarenga, João Pedro d’. “Two Early Thirteenth-Century Fragments from Coimbra and Braga”. Revista Portuguesa de Musicologia / Portuguese Journal of Musicology 8/1 (2022): 43-76. http://rpm-ns.pt/index.php/rpm/article/view/419

Alvarenga, João Pedro d’. “Motet Selections in Early to Mid Sixteenth-Century Spanish and Portuguese Manuscripts”. In The Anatomy of Iberian Polyphony around 1500, edited by Rodríguez-García, Esperanza; Alvarenga, João Pedro d’, 229-267. Kassel: Edition Reichenberger, 2021

Alvarenga, João Pedro d’. “Portugal”. In The Cambridge Companion to the Harpsichord, edited by Mark Kroll, 165-184. Cambridge, New York: Cambridge University Press, 2019. doi:10.1017/9781316659359.010

Alvarenga, João Pedro d’. “Juan de Anchieta and the Iberian Motet around 1500”. Acta Musicologica 91/1 (2019): 21-47

Alvarenga, João Pedro d’. “Textual and Chant Traditions of the Kyries tenebrarum in Portugal, and Polyphony around 1500”. Revista Portuguesa de Musicologia / Portuguese Journal of Musicology 6/1 (2019): 91-112. http://rpm-ns.pt/index.php/rpm/article/view/363/641

Alvarenga, João Pedro d’. “On the Transmission of Iberian Polyphonic Music in the Early Decades of the Sixteenth Century: Some Philological Issues Revisited”. Revista Portuguesa de Musicologia / Portuguese Journal of Musicology 6/1 (2019): 5-28. http://rpm-ns.pt/index.php/rpm/article/view/362/627

[:en]

Alvarenga, João Pedro d’. “Juan de Anchieta and the Iberian Motet around 1500”. Acta Musicologica 91/1 (2019): 21-47

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