Svetlana Poliakova

Svetlana Poliakova graduated from the Moscow Tchaikovsky State Conservatoire, and holds a PhD from the Universidade Nova of Lisbon. Since 2008 she has taught auditory training and theory, techniques of composition, theory and practice in the music of the Byzantine rite, theory and analysis of Western Medieval Music, and theory and practice of basso continuo at the same University, in the Faculty of Social Sciences and Humanities, Department of Musicology. Since 2004 she has been a researcher at CESEM (Centre for the Study of Sociology and Musical Aesthetics in the Faculty of Social Sciences and Humanities), Universidade Nova of Lisbon. Founder and director of the Academic Choir Romanos Mélodos, FCSH, and director of the Pravoslava Chamber Choir.

S. Poliakova, “Oldest Russian Sticheraria from the Triodion: Some Remarks on Their Homogeneity and Diversity”, Revista Portuguesa de Musicologia, nova série, 2/1 (2015), pp. 1-18, http://rpm-ns.pt/index.php/rpm/article/view/264/313, ISSN 0871-9705.

S. Poliakova,  “Russkaia Triod´: na perekrestke traditzii”, Medieval Bulgarian Literature, Institut za Litertura, Balgarska Akademija na Naukite, 51 (2015), pp. 39-53, ISSN 0204-868X.

S. Poliakova, “Italo-Greek and Russian Neumatic Studite Triodia and Pentekostaria: Some Remarks on Their Connection”, Bollettino della Badia Greca di Grottaferrata, Serie III, v. 9 (2012), pp.179-190 ISSN 0005-3787.

S. Poliakova, “O século XIX, nacionalismo e cosmopolitismo (A conquista de uma entidade. Glinka e a formação de um estilo nacional. O contributo de Dargomizhski. Tempos de efervescência cultural. Balakirev, o mentor do Grupo dos Cinco. Borodine, o químico músico. Mussorgski, o visionário. Rimski-Korsakov, o elo entre duas gerações. Tchaikovski, o universal)”, “Scriabin e Rachmaninov: as duas faces da beleza (O simbolismo russo. Skriabine e o “mistério”. Rachmaninov, o poeta da alma russa)”, Música Russa. Um Panorama. Público, Centro Cultural de Belem, Lisbon, 2002, pp. 9-41, ISBN 972-8179-39-1.