The Anatomy of Late 15th- and Early 16th-Century Iberian Polyphonic Music: An Overall Analysis, Philology and Critical Editing of Surviving Repertories

The Anatomy of Late 15th- and Early 16th-Century Iberian Polyphonic Music: An Overall Analysis, Philology and Critical Editing of Surviving Repertories

Principal Investigator: João Pedro d'Alvarenga

Abstract

The main goal of this three-year project, which was launched in June 2016, is to carry out a comprehensive analytical study of the different polyphonic repertories produced in the Iberian Peninsula in the late 15th and early 16th centuries, prior to the decisive permeation of Franco-Flemish models, which apparently became dominant in local composition of polyphonic music from the late 1520s onwards. The project aims at highlighting distinctive technical and stylistic traits and compositional processes in these repertories, exposing correlations between them, and also to consider their different genres and contexts of production, dissemination and use.

 

Implementation period
2016-2019
Reference
PTDC/CPC-MMU/0314/2014
Total funding
183.211,00 €
Funding institution
Fundação para a Ciência e a Tecnologia (FCT)
Start
01/06/2016
End
31/12/2019
Keywords
Polyphonic music, Iberian Peninsula, late 15th and early 16th centuries
Team

Emilio Ros-Fábregas | Kenneth Kreitner | Owen Rees | Tess Knighton

Grants
António Baptista | Adriana Dias
Research group