Lost&Found
João Pedro d’Alvarenga I Director e Reconstructor
Rui Araújo I Coordinator of the Technical Team
José Nelson Cordeniz I Alexandre Dias I Tiago Fernandes I Technical Team
João Pedro d’Alvarenga | Nuno de Mendonça Raimundo | Pedro Sousa Silva I Editorial Team
João Pedro d’Alvarenga I Ánxela Vidal Trabada | Beatriz Amaral I Carolina Gomes Pereira | Irene Brigitte Puzzo | Jesús Riveira Campillo | Leonor Oliveira e Silva | Maria Inês Cunha | Patrícia Pescadinha | Pedro Guedes Marques | Sofia Pimenta | Víctor Manuel Reza Villanueva I Analysts
Lost&Found deals with Medieval and early modern fragmentary sources of music. It develops across two lines of research:
1) Medieval musical-liturgical fragments, which can be seen on PEM by selecting "PTDC/ART-PER/0902/2020" in the search filter "Project ID" on the "Sources” page;
2) incomplete sources of polyphony.
The research line of Lost&Found devoted to polyphony specifically focuses on the works attributed or attributable to Francisco de Santa Maria surviving in manuscript choirbooks and partbooks from the Augustinian Canon Regulars Monastery of Santa Cruz in Coimbra, Portugal, which are now part of the collection of the University of Coimbra General Library (P-Cug). This corpus can be regarded as exemplary of local composition of polyphonic music in the 1560s and 1570s.
1) Medieval musical-liturgical fragments, which can be seen on PEM by selecting "PTDC/ART-PER/0902/2020" in the search filter "Project ID" on the "Sources” page;
2) incomplete sources of polyphony.
The research line of Lost&Found devoted to polyphony specifically focuses on the works attributed or attributable to Francisco de Santa Maria surviving in manuscript choirbooks and partbooks from the Augustinian Canon Regulars Monastery of Santa Cruz in Coimbra, Portugal, which are now part of the collection of the University of Coimbra General Library (P-Cug). This corpus can be regarded as exemplary of local composition of polyphonic music in the 1560s and 1570s.
