Música de consolo: embalos e utopias will take place on November 21 at 9.15 pm at the Biblioteca Operária Oeirense. It’s a talk concerning lullabies in History, folk tradition and urban family contexts. A point of view by Manuel Pedro Ferreira (Early Music Studies Group), with live and recorded musical examples, both old and brand... Read More

The composition and publication of Catorze cantares ancestrais portugueses, para coro a 2 vozes brancas: Para os coros e formações musicais do 1º a 3º graus dos conservatórios portugueses by collaborator João Pedro Delgado (Grupo Música Período Moderno), stems from the identification of two needs. Firstly, the author aims to address the scarcity of pedagogical materials for... Read More

The book AURÉLIA DE SOUZA. Mulheres artistas em 1900 (ISBN: 978-989-35191-1-0 / DOI: https://doi.org/10.34619/6m02-4036) has just been published and includes a chapter dedicated to female painting and music by researcher Sónia Duarte (Research Group for the Study of Music, Critical Theory and Communication). The launch will take place on 20 November at 6.30 pm (access link here). This chapter deals... Read More

Among the activities of collaborator Paulo Castagna, associated with the Music in the Modern Period Group, is the organisation and inventorying of a historical collection, specifically the musicographic collection of the Conservatório Dramático e Musical de São Paulo. This organisation and inventory resulted in a paper aiming to present the process and partial results of the project.... Read More

David Cranmer, a member of the Music in the Modern Period Group, presented the paper ‘Fauré’s Prométhée: Paris – Béziers – Paris’ at the Colloque Gabriel Fauré – Théodore Dubois, which took place in Paris between 6 and 8 November.

Between 3 and 7 December 2024, researcher Marco Brescia (Music in the Modern Period Group) will record, in the low choir of the Church of São Vicente de Fora in Lisbon, the fifth CD of the complete recording of the Flores de Mvsica pera o instrumento de tecla, & harpa (1620) by Manuel Rodrigues Coelho,... Read More

‘Fuga In Rosso. Parametri Musicali Nei Linguaggi Visivi Delle Avanguardie’ is a book by Cristina Santarelli, a collaborator in the Music in the Modern Period Group. Throughout the book, there is a particular focus on the movements that were established in the New World in the post-war period (Abstract Expressionism, Conceptualism, Minimalism, Pop Art), influenced by Jewish... Read More

Nicholas McNair and Samuel Gapp, from different generations and different countries, have developed their musical skills under very different circumstances. What has brought them together is a profound mutual interest in spontaneous improvisation – that is, where nothing at all is decided in advance of playing. A dialogue is set up between two slightly different... Read More