Music and Literature Thematic Line   10h – Timothée Picard: “Créer un effet d’opéra: l’exemple du Fantôme de l’Opéra et de ses adaptations” 11h – João Pedro Cachopo: “Melodramatic or Operatic Imagination? Notes on Mark Rappaport’s Mozart in Love (1975)”. 14h – Paulo Ferreira de Castro: “Cinematic Connections: on the Cultural Meaning of the ‘Machine Music’ Topic in the Early Soviet... Read More

Theme: Professional training for early childhood – What does GermInArte offer? Context: The GermInArte project has conceived two immersive training cou- rses – “Jardim Interior” and “Caleidoscópio” – concerning arts for infancy. In 2016/17, short courses called “transitive training” will be added to this list. We aim to spread the idea that artistic experiences are... Read More

ABOUT THE CONFERENCE October the 7th and 8th 2016, FCSH/NOVA Organization: CysMus (Group for Advanced Studies in Music and Cyberculture) of SociMus (Advanced Studies in Sociology of Music), CESEM (Sociology and Musical Aesthetics Research Center) FCSH/NOVA The conference’s aim is to join researchers, specialists, artists, students, producers, and other interested parties, in the discussion of transdisciplinary... Read More

Conference Music in Context: “The Scream and the Falsetto in Poizat and Artaud. Voice and Physicality.” by Maria João Serrão Music in Context Cycle Colloquium Series organized by CESEM and INET-MD The Scream and the Falsetto in Poizat and Artaud. Voice and Physicality. The human voice is so immense with humanity itself; she belongs to... Read More

Interpretation can be found everywhere whenever associated with a sign or a group of signs may that be a sacred, philosophical, literary, musical, pictorial or any other kind of text. The assignment of an interpretation always presents itself, to the recipient of the sign, under the form of an interpretative decision. Hermeneutics is the discipline... Read More