RESONANCE: Epistemologies of Documenting Forms of Affection and Becoming in Cultural Manifestations in Performance (1969–1979)

The project seeks to reflect on the documentation and patrimonialisation of historical performative works (theatre, experimental music, dance, or performance art), focusing on the affects that emanate from their production and commemoration, which have, until now, been absent from conservation discourse. Based on the Portuguese case, RESONANCE will contribute to the rethinking of epistemologies, methods, and public policies.