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Jorge Peixinho’s Chamber Music – Critical Edition

Jorge Peixinho’s Chamber Music – Critical Edition [PTDC/EAT-MMU/113714/2009]. Equipa: Francisco Monteiro (IP); Paulo Adérito Pereira de Assis Miranda; Maria João Serrão; Jorge Matta; Isabel Pires; Madalena Soveral

Opus Tutti – Artistic practices in creating social and educational roots

Opus Tutti – Artistic practices in creating social and educational roots (2010-2014) Partnership: LAMCI-CESEM and Companhia de Música Teatral Funding entity: Calouste Gulbenkian Foundation Coordination: Helena Rodrigues; Artistic Direction: Paulo Maria Rodrigues Description: Opus Tutti aimed at designing good community intervention practices aimed at infancy and early childhood. It integrated actions aimed at different target...
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Artistic Creation for Infancy: from the observation of its impact to the construction of new scientific paradigms in early infancy

Funding: VLAC – Vlaams Academish Centrum, Royal Flemish Academy of Belgium for Science and the Arts. Support: Theatrical Music Company Coordination: Gerrit Loots (Vrije University) and Helena Rodrigues (FCSH-UNL). Participating researcher: Martine Van Puyvelde Description: This project aimed to: the creation and application of an artistic-therapeutic program mediated by music at the Zoertsel psychiatric hospital...
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The historical collection of the Monastery of Arouca: Recovery and cataloging

Arouca preserves a group of liturgical manuscripts and ancient printings of great importance for the History of Music and the History of Art, whose inventory has remained incomplete to date. As a result of this project financed by the Calouste Gulbenkian Foundation, carried out in a partnership between the Real Irmandade da Rainha Santa Mafalda,...
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The Anatomy of Late 15th- and Early 16th-Century Iberian Polyphonic Music: An Overall Analysis, Philology and Critical Editing of Surviving Repertories

The main goal of this three-year project, which was launched in June 2016, is to carry out a comprehensive analytical study of the different polyphonic repertories produced in the Iberian Peninsula in the late 15th and early 16th centuries, prior to the decisive permeation of Franco-Flemish models, which apparently became dominant in local composition of...
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