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Home
CESEM
About
Structure
Science and Management Team
Ethics Committee
Statutes
Activity Reports
Advisory Board Reports
Network and Partnerships
IN2PAST
Thematic History of Music in Portugal and Brazil
Contacts
Team
Research
Education
Science Communication
Forms
Documents
Media Kit
CESEM Channel
Events
News
Jobs and Scholarships
Resources
PT
EN
Facebook
Linkedin
Youtube
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All News
Concert by CESEM researcher at Casa da América Latina in Lisbon
Music in Childhood Postgraduate Course I Applications close on July 19
2024 Protest Song Meeting
Professor Colwyn Trevarthen has passed away (1931 – 2024)
Viagens pela música em língua portuguesa
– Ibermúsicas competition
Mentions of CESEM and the Thematic History of Music in Portugal and Brazil project in the newspaper PÚBLICO
Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice, edited by Kristin Hoefener and Claire Taylor Jones, Textus & Musica 7 (2023)
Musical Arts Master degree: new curricular structure I Applications open
International Conference Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges
IV International Conference Rethinking Soundscapes: Communities, Heritage and Traditions + 4th Meeting of the ICTMD National Committee- Portugal
A Session in Braille Musicography with Eduarda Azevedo
International Meeting of Research in Music, Arts and Design 2024 – Musical Iconography Thematic Line
Musical iconography Thematic Line at the RIdIM Congress, Vienna, 2024 – Laughing your staves off: irony, satire, and parody in visual representations and narratives of music
MedRen 2024 – Musical Iconography Thematic Line
Marie Skłodowska-Curie Individual Fellowships – Available projects at CESEM
Inês Trindade awarded a Doctoral studentship in BROKENSONG Project, funded by ERC
Summer Course NOVA FCSH [Centrer Luís Krus]: Self-Regulation Strategies in Learning Practice and Teaching of Musical Instruments (by Marija Mihajlovic Pereira)
Musicologist and Researcher André Malhado Collaborates with National Press to Discuss the ‘Taylor Swift Phenomenon’
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