Nova Contemporary Music Meeting 2023 — “Listening to today’s music”
Nova Contemporary Music Meeting (NCMM) is a biennial, 3-day international conference focused on a variety of questions relating to music since the beginning of the 20th century. Music today is more diverse than ever. The variety of genres, practices, techniques, technologies, systems of dissemination and forms of reception, brings to a new context in which... Read More
Premiere of UNUS MUNDUS by João Ricardo
Recital MÚSICA NOVA 2022 on November 19th at Museu da Música Portuguesa (18:00), and November 26th at Palácio Marquês de Pombal (18:00), with works for accordeon, violin, viola, and double bass. Premiere of UNUS MUNDUS by João Ricardo, resident composer of the Orquestra de Câmara de Cascais e Oeiras in 2022.
New article by Leonardo Feichas
The new article by Leonardo Feichas proposes a methodology in the field of Artistic Research called “Double Check Reflective Artistic Cycle (CARDC)”. Available here.
Revista Portuguesa de Musicologia | Call for papers 2023
The Portuguese Journal of Musicology (RPM) new series is a peer-reviewed academic journal jointly published by SPIM (Portuguese Society for Music Research) and the research centres: CESEM (Centre for the Study of Sociology and Aesthetics of Music) and INET-md (Institute of Ethnomusicology – Centre for Studies in Music and Dance). The RPM new series is... Read More
18
Oct
2022
Camber opera NÃO HÁ MACHADO QUE CORTE
AREPO – Contemporary Opera and Arts, presents the camber opera NÃO HÁ MACHADO QUE CORTE, with music by Luís Soldado, libretto by Rui Zink and staged by Linda Valadas. NÃO HÁ MACHADO QUE CORTE premieres September 30, at CAC – Centro de Artes e Criatividade de Torres Vedras with four more presetations on October 1,... Read More
18
Oct
2022
Camber opera NÃO HÁ MACHADO QUE CORTE
AREPO – Contemporary Opera and Arts, presents the camber opera NÃO HÁ MACHADO QUE CORTE, with music by Luís Soldado, libretto by Rui Zink and staged by Linda Valadas. NÃO HÁ MACHADO QUE CORTE premieres September 30, at CAC – Centro de Artes e Criatividade de Torres Vedras with four more presetations on October 1,... Read More
Filipa Magalhães publishes new article
The article “Musicological Archaeology and Constança Capdeville” by Filipa Magalhães has been published in TDR: The Drama Review! The article is available at https://www.doi.org/10.1017/S1054204322000302. It includes an experiment carried out by two pianists: João Paulo Santos e Filipe Manzano Tordo!
13
Oct
2022
Project “Salve Regina revisitada” – Ensemble Kantika
Ensemble Kantika is thrilled to be presenting two very special concerts in Portugal, at the Escola Superior de Música de Lisboa (Small auditorium, 15 October) and at the magnificent gothic church of the Monastery of Batalha (16 October). We will be singing our brand new programme (a heritage premiere!) “Salve regina revisitada”: Chants for the... Read More
13
Oct
2022
Project “Salve Regina revisitada” – Ensemble Kantika
Ensemble Kantika is thrilled to be presenting two very special concerts in Portugal, at the Escola Superior de Música de Lisboa (Small auditorium, 15 October) and at the magnificent gothic church of the Monastery of Batalha (16 October). We will be singing our brand new programme (a heritage premiere!) “Salve regina revisitada”: Chants for the... Read More
13
Oct
2022
THE BLUE KNIGHT: CHARLES ROSEN 1927-2012
The title of the colloquium refers to the title of a magazine of exceptional historical importance, Der blaue Reiter. Published during the first decade of the 20th Century, the magazine became an important vehicle for spreading new and radical ideas about art, a place for sharing experiences between Schönberg e Kandinskij, which was rich in... Read More