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Harpsichordist and researcher Mafalda Nejmeddine will be touring with a show to promote the record edition “Sei Sonate per Cembalo” that constitutes the first recording of a collection of sonatas for key composed by Alberto José Gomes da Silva, in Lisbon, on Monday mid 18th century. The show “Sei Sonate per Cembalo” begins with the...
Release of the book Imagens de Música - Itinerário iconográfico-musical by authors Luís Sousa and Luzia Rocha.
The TCPM international conference brings together researchers interested in artistic creativity and the study of processes of musical and sound creation, of the past and present. Researchers working on this cluster of problems from a wide variety of disciplines (history, music analysis, psychology, philosophy, cognitive science, sociology, ethnomusicology, anthropology, etc.) are invited to assess the...
On October 13th, at 5:15 pm, a session entitled “Music for Games” will be held, in the context of the 2019 Fantastic Forum programming, with Paula Gomes Ribeiro, Jorge Martins Rosa, Júlia Durand, Joana Freitas and André Malhado. The Fantastic Forum is a collection of lectures, debates, releases, autograph sessions and other parallel initiatives that...
The notion of soundscapes, which is being increasingly referred to in international musicological circles, makes it possible to understand musical activity that takes place in a particular area from a wide-ranging contextual perspective, unlike a view centred on a composer or restricted group of composers. It enables us to reconstruct contexts, circuits and movement, and...
Luísa Cymbron, Francisco de Sá Noronha (1820-1881): um músico português no espaço atlântico Published by Edições Húmus and CESEM (Centro de Estudos de Sociologia e Estética Musical). Presentation of the book by Rui Vieira Nery and music recital with João Paulo Santos, Luís Cunha and the singers Ana Franco, Sónia Alcobaça e Marco Alves dos...
Movie Session “Cerromaior: uma conversa com o realizador” Luis Filipe Rocha's film with music by Constança Capdeville
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