Events
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Meeting of the Early Music Study Group
NOVA FCSH Av. BernaPROGRAMME: 9.25 am – Opening (Alberto Medina de Seiça & Elsa De Luca) 9.30 am – 10.15 am Lecture I Haig Utidjian: On the unsung sacred musical traditions of the Mekhitarist Order Remembering (10.15 am – 11.30 am) I — History and stories of the Early Music Study Group (Manuel Pedro Ferreira & João Pedro...
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Exhibition “Fotografias Musicadas II” by Maria João Cerol
Fourteen images captured in different spaces and moments, seeking a certain balance between forms and colors. As a kind of “tribute,” the exhibition pays homage to people and/or institutions that have had a lasting impact on Maria João Cerol’s life, both musically and personally. Each photograph is paired with a “Study” for transverse flute, composed...
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III Workshop of the Research Cluster in Thought and Music
NOVA FCSH Av. BernaOn June 18, the III Workshop of the Research Cluster in Thought and Music will take place in Auditorium B3 of Tower B at NOVA FCSH (Av. de Berna). Starting at 10 a.m., the event will feature presentations and discussions by members of the Research Cluster in Thought and Music (NPM), as well as a...
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Launch of World New Music Magazine No. 31, 2025, dedicated to Portugal, at the Calouste Gulbenkian Foundation
Fundação Calouste Gulbenkian Avenida Berna 45A, Lisboa, PortugalMiso Music Portugal and MIC.PT – Portuguese Music Research and Information Centre, in partnership with CESEM – Centre for Music Studies, will present World New Music Magazine #31, 2025, a Portugal-focused edition published by the International Society for Contemporary Music, ISCM, on 19 June 2026, at 18:00, in Auditorium 3 of the Calouste Gulbenkian Foundation,...
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3rd Symposium of the Music in the Modern Period Group
The 3rd Symposium of CESEM’s Music in the Modern Period Group – a new series brings together the proceedings of the group’s first two symposia, held in 2025 and 2024, respectively. With the aim of including as many researchers from the group as possible who are based outside Lisbon, the MMP’s annual symposium is held...
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“Essay Crossings”: Reading and Discussion Seminar
On June 22, at 6.00 pm, the fourth session of the “Ensaios Cruzados” Reading and Discussion Seminar will take place. The seminar runs from March to July at the Edições do Saguão venue. The session will be led by José Nicolau Pinto (CESEM) and will take as its starting point the chapter “Multimedia as Metaphor” from...
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Open Studio: Listening, Resonance and Dialogue – Event for CESEM members
As part of the internal engagement activities of CESEM – Centre for Music Studies, we are organising the Open Studio: Listening, Resonance and Dialogue (June 29, 4.00 pm), an initiative designed to foster encounters, reflection and interaction amongst members of the Centre’s academic community. Building on the concepts of listening, resonance and dialogue, this activity...
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IV Music, Media and Audiences Workshop: Music, Value and the Public Interest
NOVA FCSH Av. BernaThe workshop aims to create a space for interdisciplinary debate centred on a key question: how are values attributed to music, and how do these values become a matter of public interest, thereby justifying forms of intervention, funding, regulation or protection? Taking a sociomusicological, cultural and communicational approach, the session will seek to examine the...
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“Essay Crossings”: Reading and Discussion Seminar
On July 22, at 6.00 pm, the fifth session of the ‘Ensaios Cruzados’ Reading and Discussion Seminar will take place. The seminar runs from March to July at the Edições do Saguão venue. The session will be led by Filipa Cruz (CESEM) and will take Virginia Woolf’s book A Room of One’s Own as its...
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‘Byzantine Musicology in Serbia: Between Scientific Truth and Ideological Convictions’
NOVA FCSH Av. BernaThe lecture examines the impact of ideology on Byzantine musicology, focusing specifically on the status of church art during the socialist period in the former Yugoslavia. Particular emphasis is placed on scholarly discourses concerning the medieval chanting tradition — both Byzantine and Serbian — which, in accordance with Communist ideology, were promoted in the works...
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