2
Jul
2024
Exhibition Who sings prays twice: the Music at the Monastery of São Bento da Avé-Maria in Porto
The exhibition Who sings prays twice: the Music at the Monastery of São Bento da Avé-Maria in Porto is one of the initiatives of the AVEMUS project – Music in concertato style at the Monastery of São Bento da Avé-Maria in Porto (1775-1829). Funded by the FCT and carried out within the institutional framework of... Read More
Mentions of CESEM and the Thematic History of Music in Portugal and Brazil project in the newspaper PÚBLICO
Regarding the critique O retorno da obra-prima: Gil Vicente segundo Joly, published by PÚBLICO on June 18, Manuel Pedro Ferreira mentions CESEM’s support during the preparation of a new musical edition of Joly Braga Santos’ Trilogia das Barcas in 2019-2020. This work was João Paulo Santos and Paula Coelho da Silva’s responsability. Later, an audio... Read More
Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice, edited by Kristin Hoefener and Claire Taylor Jones, Textus & Musica 7 (2023)
This issue of Textus & Musica, «Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice», explores textual and visual sources related to the performance of medieval monophonic song, providing insight into historical contexts and practices. Monophonic song is fundamental to medieval musical culture, but many questions related to its performance still need... Read More
Musical Arts Master degree: new curricular structure I Applications open
The applications for the Master’s in Musical Arts at the FCSH are open until July 22. Its new curricular structure, with a multidisciplinary approach within the framework of Musical Sciences, focuses on techniques, creative, and performance practices related to the music and entertainment industries. The Master’s in Musical Arts deals with the technical, artistic, musicological,... Read More
28
Jun
2024
Conference Musica Monialium
The Musica Monialium Symposium is one of the initiatives of the AVEMUS project – Music in concertato style at the Monastery of São Bento da Avé-Maria in Porto (1775-1829). Funded by the FCT and carried out within the institutional framework of CESEM – FCSH, UNL, the symposium aims to present to the scientific community and... Read More
International Conference Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges
Everything is ready for the international conference Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges. This event will take place in person from July 27 to 29 on the Av. de Berna campus of the School of Social Sciences and Humanities of Universidade NOVA de Lisboa. In addition to promoting interdisciplinary dialogue, this... Read More
IV International Conference Rethinking Soundscapes: Communities, Heritage and Traditions + 4th Meeting of the ICTMD National Committee- Portugal
The International Conference Rethinking Soundscapes: Traditions, Communities and Heritage, which coincides with the 4th Meeting of the ICTMD National Committee – Portugal is organised by the Centre for Studies in Sociology and Musical Aesthetics (CESEM) – Évora Branch/Music Department of the School of Arts of the University of Évora, as part of the IN2PAST Associated... Read More
A Session in Braille Musicography with Eduarda Azevedo
The Filarmónica Enarmonia of the Bengala Mágica Association, with the support of CESEM and the Department of Musical Sciences, organized a new training session in musical education to the visually impaired at NOVA FCSH on June 7th. Following the sessions held last academic year on teaching resources and methodologies with Angela Pino (Universidad Autonoma de... Read More
International Meeting of Research in Music, Arts and Design 2024 – Musical Iconography Thematic Line
From June 27th to 29th, the 9th edition of the EIMAD – International Meeting of Research in Music, Arts and Design will take place at IPCB, featuring the participation of several members from the CESEM’s Musical Iconography Thematic Line, with the following papers: – Luísa Correia Castilho, Luzia Aurora Rocha: “Ratinhos”, Musical Iconography and Popular... Read More
Musical iconography Thematic Line at the RIdIM Congress, Vienna, 2024 – Laughing your staves off: irony, satire, and parody in visual representations and narratives of music
Manuel Mendes Madeira, a collaborator of the Musical Iconography Thematic Line, has been selected to participate in the RIdIM 2024 conference with the presentation: ‘The “Insolite” in the Opera: Perplexity or laughter? through Rafael Bordalo Pinheiro’s nineteenth century caricatures’. The 23rd International Conference of Association RIdIM will take place in Vienna (Austria) at the Universität... Read More