Marina Barba Dávalos

Marina Barba is Doctor in History and Sciences of Music by the Universidad Autónoma de Madrid, Graduated Superior of Violoncello and Chamber Music by the Conservatorio Superior de Música de Madrid and graduate in Geological Sciences by the Universidad Complutense de Madrid. In 2007 she won the competition for the Conservatory of Music and has been a Professor at the Conservatorio Superior de Música de Vigo and at the Conservatorio Profesional de Música de Ávila. She has been Associate Professor at the Interfaculty Department of Music of the Universidad Autónoma de Madrid and at the Faculty of Education of the Universidad de Alcalá where she is currently Assistant Professor Doctor.
She has been soloist with the Orquesta Sinfónica de Melilla, collaborator with the Orquesta Sinfónica de Galicia and in his chamber music career stand out the Cuarteto Ciudad de Melilla and the Tafelensemble, a chamber ensemble with which she continues to offer concerts.
She combines her classical career with theatrical productions of the Centro Dramático Nacional, DD & Company, L’om Imprebís, Teatro del Temple, or EscénaTe; and with flamenco with Bettina Flater, Agustín Carbonell or María Pagés. Among his compositions stand out “Oda honda”, “Rembrandt”, “El conde de Sex”, “Nathalie X”, “Desdémona”; and has created and directed the stage works “Ahora 100 años” and “Ingenua figura”.
Following the theme of her doctoral thesis directed by Dr. Begoña Lolo and with which she obtained the qualification Sobresaliente Cum Laude, “La música en el drama romántico español en los teatros de Madrid (1834-1844)”, she has publications in journals of scientific interest such as Cuadernos dieciochistas, Cuadernos de Ilustración y Romanticismo, Revista de Hispanismo Filosófico, Quadrivium, Nassarre, Música, as well as various communications in conference proceedings.