Conferences/Colloquia
II INTERNATIONAL RESEARCH MEETING FOR MUSIC AND MUSICOLOGY STUDENTS
Universidade de Évora - Departamento de Música - Colégio Mateus d'Aranda Rua do Raimundo, Évora, PortugalCESEM - University of Évora organizes the II International Research Meeting of Students in Music and Musicology, whose target audience is Masters and PhD students in the field of music: musicologists, instrumentalists and composers. With the objective of promoting a sharing of experiences and the dissemination of the results of the work developed, this Meeting...
Book release “The Old Theater of S. João (1798-1908): Theater and Music in Porto in the Long 19th Century”
Teatro de S. João do Porto Praça da Batalha, Porto, Portugalauthors Luísa Cymbron, Ana Isabel Vasconcelos (coord. and ed.) edition Edições Afrontamento-CESEM support Teatro Nacional São João In the genesis of this book, there is a puzzle of partial investigations about S. João, having not yet managed to adjust all the pieces in order to provide a comprehensive overview of that past. Thus, it was...
Eborenses Sonorities Colloquium
Colégio Mateus d'Aranda Rua do Raimundo, 104, Évora, PortugalThe “Sonoridades Eborenses” Colloquium, within the scope of the Heritage Project of the Sound Landscape of Évora - PASEV, will bring together researchers who are dedicated to the study of the relationship between sound and the city of Évora - from musical practice in urban spaces to various sound events between 1540 (Creation of the...
The 21st Century Guitar
Colégio Almada Negreiros Campus de Campolide, Lisboa, PortugalThe second edition of the international interdisciplinary conference The 21st Century Guitar, which would be hosted from March 22-26, 2021 by CESEM at Colégio Almada Negreiros, Lisbon, in collaboration with the International Guitar Research Centre (IGRC, University of Surrey) and Memorial University (Canada), will only be conducted virtually due to the COVID-19 pandemic. The goal of this edition...
Giovanni Bassano’s Motetti, Madrigali et Canzoni Francese (1591)
Escola Superior de Música e Artes do Espectáculo Rua da Alegria, 503, Porto, Portugal
MedRen 2021 Lisbon
Colégio Almada Negreiros Campus de Campolide, Lisboa, PortugalOn 5–9 July 2021, the FCSH–School of Social Sciences and Humanities at Universidade NOVA de Lisboa will host the 49th edition of the Medieval and Renaissance International Music Conference – MedRen Lisbon 2021 – which is to be organised by CESEM–Centre for the Study of the Sociology and Aesthetics of Music. Proposals in all areas...
IV Social Aesthetics Colloquium: Art Experience and Community Awareness
Colégio Almada Negreiros Campus de Campolide, Lisboa, PortugalThis event will take place on October 23rd from 2pm to 5pm (PT) online (zoom). The event will feature Prof. Dr. Helena Caspurro, CESEM member and professor at the University of Aveiro, Prof. Dr. Pedro Carvalho de Almeida, communication designer, educator and researcher in the area of visual identity, psychologist Prof. Dr. Denise Jorge from...
VI International Contemporary Piano Meeting (ON-LINE)
Colégio Almada Negreiros Campus de Campolide, Lisboa, PortugalThe VI International Contemporary Piano Meeting on-line edition, will be held by the Conservatorio de Música Gilardo Gilardi (CGG - Argentina) and Facultad de Artes- Universidad Nacional de La Plata (UNLP - Argentina) in partnership with the Programa de Pós-Graduação em Música da Universidade Federal de Minas Gerais (UFMG- Brasil), Escola Superior de Música e...
Gil Vicente International Colloquium: 500 years
Centro Cultural de Belem Praça do Império, Lisboa, PortugalThe creation of a Portuguese opera laboratory especially dedicated to the recovery of works written by Portuguese composers or resident in Portugal is an old dream that is now beginning to take on concrete contours. Indeed, we have long felt the need to create a structure that would enhance the presentation of works from the...
III Meeting MUSES – The Music of the Arts
Museu Nacional da Música Estação Alto dos Moinhos Rua João Freitas Branco, Lisboa, PortugalThe purpose of this meeting is to interrogate how the other arts perceive, imagine or hallucinate music. We will lend our ears to these other ways of listening, which are at work in literature, cinema and the visual arts, to ponder how they challenge our perception of music’s power and value. How should we interpret...