Music in the Modern Period

Music in the Modern Period

Coordinator: Marco Brescia
Co-Coordinator: Luzia Aurora Rocha

The Music in the Modern Period Group is dedicated to a wide range of areas and issues related to music between the 18th and 20th centuries, with a particular focus on music produced in Portugal and its ramifications in Mediterranean and Atlantic Europe, and in Brazil, considering the production, performance and reception of music. The GMPM carries out a wide range of research within the general framework of historical musicology, organising, inventorying and cataloguing collections, producing critical editions, studying repertoire and music-related institutions, music criticism, organology, instrument makers, performers, historical musical practices, musical iconography, etc., always in the light of their historical and socio-cultural context. The themes of many of the projects developed within the GMPM, both collective and individual, fall naturally within CESEM’s thematic lines Opera Studies, Luso-Brazilian Studies and Musical Iconography. In addition to a significant body of peer-reviewed scientific publications by prestigious editorial boards, and the frequent participation of members of the group in the most renowned scientific events at national and world level, one of the strengths of the GMPM is the significant number of concerts performed nationally and internationally by several of its members, which exceed one hundred every year, fostering a healthy dialogue between musicology and musical practice.

Full members
Full members without PhD
Collaborators
Visitors
Projects
2024-2030Portuguese Music Identity: Patterns of the Keyboard Repertoire (1750-1834)2023.06709.CEECIND
2024-2025Organ Music on the Instruments to which it was conceivedIDI&CA 2024, IPL/IDI&CA2024/ORG_ESML
2024Documental description of the Music Collections of National Library of Portugal [M.M. and C.N.]Procedure nº 2191/2024
2023-2027Musical instruments and collecting between the end of the 19th century and the beginning of the 20th century: the Portuguese case2023.02556.BDANA
2023-2024AVEMUS: concertante-style music in the former Royal Monastery of São Bento da Avé-Maria in Porto2022.01889.PTDC
2022-2025Magic Lantern: Study, Safeguard, Uses and Reuses in 19th Century PortugalPTDC/ART-PER/1702/2021
2019-2025Organ-making and organistic practice in Portugal in the 19h century: between tradition and modernityDL57/2016/CP1453/CT0038
2019-2025Music in a religious context in the Portuguese Baroque and its correlations with the Ibero-American space - the particular case of brotherhoods or confraternitiesDL 57/2016/CP1453/CT0086
2019-2024Singing the Revolution: the role of songs and operas on the dissemination of communism in Mao Zedong's China2021.06992.BD
2018-2024Monialibus est necessaria Musica - Music in female convents of Portugal (18th/19th centuries): repertoire, practices, performersDL57/2016/CP1453/CT0024
2018-2021Sanfona - Terminology of musical instruments in portuguese in Portugal and BrazilUID/EAT/00693/2019
2017-Catalogue of the Music Archive of the Museum-Library of the House of BraganzaUIDB/00693/2020
2016-Guilherme Cossoul's new students